Hi, nice to meet you!
We are an Audio and Video Recording Studio, specializing in Professional Classical Music Recording and Sound Enhancing. We provide Musical Artists all Audio and Video services from one source.
Let your Performance shine!
Classical Recording, Score Editing
Mastering & Restoration
Contact Us +972 54-544-2800
Our Services
Contact Us +972 54-544-2800
Professional Classical Recording
As a trained classical musician with many years of recording experience, the Tonmeister and the Video Expert will capture your best performance in Audio and Video, and provide you a finished master file you can share on your social media or with global concert agencies
1. Preparation phase:
2. Recording Session:
Capturing your best performance in Audio and Video, and provide you a finished master file
your performance
3. Recording a Live Concert:
Capturing the excitement of a live event, maintaining the highest sound and video quality possible
4. Recording and Compiling Live Concerts:
Capturing the excitement of more live events and rehearsals, in order to compile together the best parts of your performances,
maintaining the highest sound and video quality possible
Professional Score Editing
As a trained classical musician, the Tonmeister will be able to put together separate fragments of takes, according to his editing plan marked in the score during the recording, in order to recreate the optimal musical result
1. Preparation phase:
2. Editing phase:
Video Editing
When recording Ensembles or Orchestras with several Cameras, in order to achieve a final Video with several angles and captures, you need Video Editing.
Today Video Editing is performed on Computers, mostly MACs, and it requires professional knowledge and artistic talent to put together sequences from several cameras at the right time musically to enhance the music with the corresponding visual experience.
Mixing, Mastering & Restoration
Audio Mixing
When recording larger groups or Orchestras with several Microphones on a number of Channels, Mixing those Channels to Stereo requires Audio Mixing.
Audio Mastering
Mastering is considered the art of sound enhancing audio recordings or mixes and is the final creative step before publishing your performances on Social Media.
1. Audio Mastering:
2. e-Mastering
mastering service!
(or 16 bit and 44.1KHz)
3. Audio Restoration:
Cleaning up any material, as well as older tape and vinyl recordings by removing imperfections (such as hiss, clicks, crackle, noise, and buzz) from sound recordings, for re-release on CD, DVD, and of course Social Medias and Streaming Platforms.
We provide this service by using top-end restoration tools, like the Ozone RX suite.
Equipment
Audio Recording, Editing & Mixing
Mikes:
1 Neumann Stereo USM69, Lewitt LCT 640 TS, Lewitt 440 (x2), Lewitt 441FLEX, AKG 451B (x2), Oktava 012 (x2), Audio Technica ATM450, Lewitt 340, Shure sm87, DPA 4099 (x2), Oktava MKE15A, Shure lavalier mic
Mike preamp & A/D Converter:
RME UCX, Aphex 207 (tube 2-channel pre) Digilab SPM200 2 channel pre 2 SET Sound Neumann MT 48 (made by Merging) Universal Audio Apollo 8p Universal Audio Apollo Twin mkii
Workstation & Controllers:
Wavelab Studio 1,
Presonus Faderport Controller
Video Recording & Editing
Cameras and Accessories:
2 Sony a6400
3 Sony ZV E10
Sigma and Sony lenses
DJI Gimbal stabilizer
Video Editing:
Apple Final Cut Pro 11
Mastering & Restoration
General Plugins:
UAD, Eventide, Fabfilter, Plugin Alliance
Reverb:
Waves' IR1
SIR3 by Pinguin
OldSkoolVerb Plus by Voxengo
Compressor:
Weiss' Compressor Limiter
Waves' PlugChild 670 & Q8 & MaxxVolume
Marquis Compressor by Voxengo
EQ:
GlissEQ, Curve EQ & Overtone GEQ by Voxengo
Waves' HEQ & MaxxBass
Standard EQ by SIR
Analog Sound:
Waves' Kramer Tape Stereo
Tube Amp by Voxengo
Gain Enhancer:
Elephant by Voxengo
Waves L1+ Ultramaximizer
Restoration:
iZotope RX

Why Us?
Contact Us +972 54-544-2800
We provide Musical Artists all Audio and Video services from one source. We provide a comprehensive and customized package of services for each and every musician or ensemble.
Over 20 years of experience with both renamed musicians and orchestras, as well as chamber music with promising talented musicians
We have gathered the best minds and experts from both Audio and Video worlds, in order to give YOU the best and most professional services You deserve
Contact Us +972 54-544-2800
Audio Recording, Editing

Contact Us +972 54-544-2800
Contact Us +972 54-544-2800
Contact Us +972 54-544-2800

Contact Us +972 54-544-2800
Our Rates
Contact Us +972 54-544-2800
The Recording of Music Sessions, Live Concerts and Recording and Compiling Live Concerts
will be performed in acoustic Venues, which are not included in the Rates below
Small Ensembles (Solo, Duets, Trios, Quartets, Quintets, etc.)
• Recording Sessions: ₪1,000/Session
(3 hours) including Audio and Video (up to 3
cameras)
• Live Concert: ₪1,000/Concert including
Audio and Video (up to 3 cameras)
• Recording and Compiling Live Concerts:
₪1,000/Concert or per Rehearsal including
Audio and Video (up to 3 cameras)
Orchestras (Chamber, Symphonic, etc.)
• Recording Sessions: ₪2,000/Session
(3 hours) including multi microphone Audio
and multi camera Video
• Live Concert: ₪2,000/Concert including
multi microphone Audio and multi camera
Video
• Recording and Compiling Live Concerts:
₪2,000/Concert or per Rehearsal including
multi microphone Audio and multi camera
Video
Editing Rates
Performed in our premises:
Audio Mixing (if necessary): ₪1,000/Session (3 hours)
Audio Score Editing: ₪500/Session (3 hours)
Video Editing: ₪500/Session (3 hours)
Mastering Rates
Performed in our premises:
Audio Mastering: ₪500/Session (3 hours)
Restauration Rates
Performed in our premises:
Audio Restoration: ₪500/Session (3 hours)
Complete Packages
Recording Package rate for Small Ensembles:
multi microphone Audio and multi camera Video
Mastering Package rate for up to 12 hours
About Us
Contact Us +972 54-544-2800
Tonmeister and Mastering Expert Ben Bernfeld joined forces with Philipp Barsky, Audio and Video Specialist to provide musicians the best Audio and Video quality at very cost effective rates
Ben Tonmeister
My father took me to his recording sessions since I was a child, maybe 4 or 5 years old.
I have witnessed amazing sessions, like Radu Lupu’s Beethoven 5th piano concerto (Emperor), La Traviata with Virginia Zeani or Radu Aldulescu’s Haydn C major cello concerto, to name just a few.
I studied music and the piano for over 10 years before leaving Romania.
During the second half of the 70s and beginning of the 80s I assisted my father in many recordings around Europe.
In the early 1980’s, I studied electrical engineering at the Frankfurt University of Applied Sciences, majoring in acoustics.
In the same period, I started to record and edit classical music on my own, being probably one of the very few to learn to edit digitally before learning to splice analog tapes!
My very first job was to edit 5 organ albums from different Italian cities (I remember Ferrara and Carrera, but 1981 is a long way back…) on a SONY DAE 1100 digital editor. Just for the young among you, there was no graphic monitoring at all and the cueing was in …8 bit! In short you couldn’t hear s..t! Besides, try to edit on this system (or any) an organ’s basso continuo… It was fun!
My first recording was the Bären Gässlin’s Mythomania in the Blansingen church (between Freiburg and Basel), where my father and I recorded many projects due to its pleasant acoustics.
Many followed since then, being with the Collegium Aureum, Trio Fontenay, Augsburger Domsingknaben as well as the Israel Philharmonic orchestra conducted by Maestro Zubin Mehta, especially the Hungarian Rhapsodies.
More recently, I have recorded several Ami Maayani works, Phoenix Ensemble, pianist Orit Wolf, Modena Consort (in Blansingen again!), Jacob Reuven with the Barrocade Ensemble and later the Raanana Symphonette Orchestra, violinist Sivann Maayani Zelikoff, as well as the Carmel Quartet’s Ben Chaim quartets and quintets.
Philipp Video
Contact Us
+972 54-544-2800

Ben Tonmeister
My father took me to his recording sessions since I was a child, maybe 4 or 5 years old.
I have witnessed amazing sessions, like Radu Lupu’s Beethoven 5th piano concerto (Emperor), La Traviata with Virginia Zeani or Radu Aldulescu’s Haydn C major cello concerto, to name just a few.
I studied music and the piano for over 10 years before leaving Romania.
During the second half of the 70s and beginning of the 80s I assisted my father in many recordings around Europe.
In the early 1980’s, I studied electrical engineering at the Frankfurt University of Applied Sciences, majoring in acoustics.
In the same period, I started to record and edit classical music on my own, being probably one of the very few to learn to edit digitally before learning to splice analog tapes!
My very first job was to edit 5 organ albums from different Italian cities (I remember Ferrara and Carrera, but 1981 is a long way back…) on a SONY DAE 1100 digital editor. Just for the young among you, there was no graphic monitoring at all and the cueing was in …8 bit! In short you couldn’t hear s..t! Besides, try to edit on this system (or any) an organ’s basso continuo… It was fun!
My first recording was the Bären Gässlin’s Mythomania in the Blansingen church (between Freiburg and Basel), where my father and I recorded many projects due to its pleasant acoustics.
Many followed since then, being with the Collegium Aureum, Trio Fontenay, Augsburger Domsingknaben as well as the Israel Philharmonic orchestra conducted by Maestro Zubin Mehta, especially the Hungarian Rhapsodies.
More recently, I have recorded several Ami Maayani works, Phoenix Ensemble, pianist Orit Wolf, Modena Consort (in Blansingen again!), Jacob Reuven with the Barrocade Ensemble and later the Raanana Symphonette Orchestra, violinist Sivann Maayani Zelikoff, as well as the Carmel Quartet’s Ben Chaim quartets and quintets.
Philipp Video