Hi, nice to meet you!

 

We are an Audio and Video Recording Studio, specializing in Professional Classical Music Recording and Sound Enhancing. We provide Musical Artists all Audio and Video services from one source.

Contact Us  +972 54-544-2800

Our Services

Contact Us  +972 54-544-2800

  • Professional Classical Recording

    As a trained classical musician with many years of recording experience, the Tonmeister and the Video Expert will capture your best performance in Audio and Video, and provide you a finished master file you can share on your social media or with global concert agencies

    1. Preparation phase:

    • Purpose of the recording
    • Size of the orchestra/ensemble
    • Program length
    • Recording venue choice

    2. Recording Session:
    Capturing your best performance in Audio and Video, and provide you a finished master file

    • Real-time Audio and Video Recording during the session(s)
    • Multi-Camera Video Recording and Editing
    • Already during the balance the Tonmeister will start winning your trust and confidence, allowing you the freedom to concentrate on

             your performance

    • He will guide you during the recording sessions, with the proper editing options in mind, so there will be no difficulties during the subsequent score editing
    • He will be your “ears on the other side” and critically lead the session, following the score and suggesting you when a take is fine and when it needs to be recorded again
    • In a relaxed atmosphere, he will give you the time you need, as much as necessary to reach the best possible musical results, even exceeding your expectations
    • Usually, standard sessions take around 3 hours with a short break in the middle
    • You should achieve about 10 minutes of finished music in one session (3 hours) if the repertoire is well rehearsed and should be reduced to 3 to 5 minutes finished music per session if you expect to rehearse-record or anticipate tuning difficulties
    • RATES

     

    3. Recording a Live Concert:
    Capturing the excitement of a live event, maintaining the highest sound and video quality possible

    • Real-time Audio and Video Recording during the concert
    • Multi-Camera Video Recording and Editing
    • Basic Audio and Video Editing to remove non-musical content
    • Basic Mastering to enhance the sound (subtly altering the timbre, adding reverberation)

     

    4. Recording and Compiling Live Concerts:
    Capturing the excitement of more live events and rehearsals, in order to compile together the best parts of your performances,

    maintaining the highest sound and video quality possible

     

    • Real-time Audio and Video Recording during the concerts/rehearsals
    • Multi-Camera Video Recording and Editing
    • Audio and Video Editing compile together the best parts of your performances
    • Basic Mastering to enhance the sound (subtly altering the timbre, adding reverberation, etc.)
  • Professional Score Editing

    As a trained classical musician, the Tonmeister will be able to put together separate fragments of takes, according to his editing plan marked in the score during the recording, in order to recreate the optimal musical result

     

    1. Preparation phase:

    • During the recording sessions, the Tonmeister will mark his observations on the score and will draft the editing plan

     

    2. Editing phase:

    • The Tonmeister will first listen to the chosen takes from the draft editing plan made during recording and if not fully satisfied he will listen and choose other takes
    • The Tonmeister will perform the editing using his highly attuned hearing, a fine score-reading ability, years of experience, well accustomed to spotting poor edits,  and a good dose of musical sensitivity
    • Depending on the experience of the musicians, the editing may include tens or even hundreds of cuts
    • Additional mastering (sound processing, adding reverberation, cleaning, etc.) can be performed before wrapping up the master

     

  • Video Editing

    When recording Ensembles or Orchestras with several Cameras, in order to achieve a final Video with several angles and captures, you need Video Editing.

     

    Today Video Editing is performed on Computers, mostly MACs, and it requires professional knowledge and artistic talent to put together sequences from several cameras at the right time musically to enhance the music with the corresponding visual experience.

  • Mixing, Mastering & Restoration

    Audio Mixing

    When recording larger groups or Orchestras with several Microphones on a number of Channels, Mixing those Channels to Stereo requires Audio Mixing.

     

    • Today Audio Mixing is performed on DAWs (Digital Audio Workstations), which can include a limitless number of channels. Each Channel is being Leveled (Volume Intensity), PANed (L/R Balance), and possibly processed with other sound processing tools like Reverb, EQ and so on. We prefer to perform these tasks with the help of a Controller with actual Faders and Knobs and not only with a mouse.


    Audio Mastering

    Mastering is considered the art of sound enhancing audio recordings or mixes and is the final creative step before publishing your performances on Social Media.

     

    • Mastering is considered the art of sound enhancing audio recordings or mixes and is the final creative step before publishing your performances on Streaming Platforms, Social Media or CD.

    1. Audio Mastering:

     

    • The professional mastering engineer has a fresh and objective ear, the experience and the necessary equipment to enhance recordings and mixes to obtain a good harmonic balance by correcting the tonal and loudness imbalances, thus producing a polished sounding result
    • He will improve the tonal balance by equalizing (EQ), control the dynamic range by compressing and limiting, matching the level of the recordings, should they have different sources, to a well balanced and appropriate level

     

    2. e-Mastering

    • You don’t have to attend the mastering session, especially if you live far away from our premises…Take advantage of our online

              mastering service!

    • We are performing the e-mastering with the same professional approach as any attended session, just taking advantage of our studio down-time, being able to provide you better Rates per mastered song, however turnaround time may possibly be longer than usual
    • You can send us your Music by WeTransfer or any other upload site in Stereo WAV format, preferably 24 bit 96KHz

              (or 16 bit and 44.1KHz)

    • Even though we hope you will like our first Mastering approach, you're entitled to a free correction session
    • RATES

    3. Audio Restoration:

    Cleaning up any material, as well as older tape and vinyl recordings by removing imperfections (such as hiss, clicks, crackle, noise, and buzz) from sound recordings, for re-release on CD, DVD, and of course Social Medias and Streaming Platforms.

    We provide this service by using top-end restoration tools, like the Ozone RX suite.

  • Equipment

    Audio Recording, Editing & Mixing

    Mikes:

    1 Neumann Stereo USM69, Lewitt LCT 640 TS, Lewitt 440 (x2), Lewitt 441FLEX, AKG 451B (x2), Oktava 012 (x2), Audio Technica ATM450, Lewitt 340, Shure sm87, DPA 4099 (x2), Oktava MKE15A, Shure lavalier mic

    Mike preamp & A/D Converter:

    RME UCX, Aphex 207 (tube 2-channel pre) Digilab SPM200 2 channel pre 2 SET Sound Neumann MT 48 (made by Merging) Universal Audio Apollo 8p Universal Audio Apollo Twin mkii

     

    Workstation & Controllers:

    Wavelab Studio 1,
    Presonus Faderport Controller

    Video Recording & Editing

    Cameras and Accessories:

    2 Sony a6400

    3 Sony ZV E10

    Sigma and Sony lenses

    DJI Gimbal stabilizer

     

    Video Editing:
    Apple Final Cut Pro 11

    Mastering & Restoration

    General Plugins:
    UAD, Eventide, Fabfilter, Plugin Alliance

    Reverb:

    Waves' IR1

    SIR3 by Pinguin

    OldSkoolVerb Plus by Voxengo

     

    Compressor:
    Weiss' Compressor Limiter

    Waves' PlugChild 670 & Q8 & MaxxVolume

    Marquis Compressor by Voxengo

     

    EQ:
    GlissEQ, Curve EQ & Overtone GEQ by Voxengo

    Waves' HEQ & MaxxBass

    Standard EQ by SIR

    Analog Sound:
    Waves' Kramer Tape Stereo

    Tube Amp by Voxengo

    Gain Enhancer:
    Elephant by Voxengo

    Waves L1+ Ultramaximizer

    Restoration:

    iZotope RX

Why Us?

Contact Us  +972 54-544-2800

  • All Included

We provide Musical Artists all Audio and Video services from one source. We provide a comprehensive and customized package of services for each and every musician or ensemble.

 

  • Experience

Over 20 years of experience with both renamed musicians and orchestras, as well as chamber music with promising talented musicians

 

  • The Team

We have gathered the best minds and experts from both Audio and Video worlds, in order to give YOU the best and most professional services You deserve

Contact Us  +972 54-544-2800

  • Audio Recording, Editing

Contact Us  +972 54-544-2800

Contact Us  +972 54-544-2800

Contact Us  +972 54-544-2800

Contact Us  +972 54-544-2800

Our Rates

Contact Us  +972 54-544-2800

The Recording of Music Sessions, Live Concerts and Recording and Compiling Live Concerts

will be performed in acoustic Venues, which are not included in the Rates below

 

Small Ensembles (Solo, Duets, Trios, Quartets, Quintets, etc.)

 

   • Recording Sessions: ₪1,000/Session

     (3 hours) including Audio and Video (up to 3

     cameras)

   • Live Concert: ₪1,000/Concert including

       Audio and Video (up to 3 cameras)

   • Recording and Compiling Live Concerts:

      ₪1,000/Concert or per Rehearsal including

       Audio and Video (up to 3 cameras)

 

Orchestras (Chamber, Symphonic, etc.)

 

   • Recording Sessions: ₪2,000/Session

      (3 hours) including multi microphone Audio

      and multi camera Video

   • Live Concert: ₪2,000/Concert including

      multi microphone  Audio and multi camera

      Video

   • Recording and Compiling Live Concerts:

      ₪2,000/Concert or per Rehearsal including

      multi microphone Audio and multi camera

      Video

 

Editing Rates

Performed in our premises:

Audio Mixing (if necessary): ₪1,000/Session (3 hours)

Audio Score Editing: ₪500/Session (3 hours)

Video Editing: ₪500/Session (3 hours)

 

 

Mastering Rates

Performed in our premises:

Audio Mastering: ₪500/Session (3 hours)

 

 

Restauration Rates

Performed in our premises:

Audio Restoration: ₪500/Session (3 hours)

 

 

Complete Packages

          Recording Package rate for Small Ensembles:

  • 2 Audio and Video Recording sessions (6h)
  • 2 Score Editing sessions (6h)
  • 2 Video Editing sessions (6h)
  • 1 Mastering session (3h)
  • Final Audio and Video Master: ₪4,500

 

  • Recording Package rate for Orchestras including

        multi microphone Audio and multi camera Video

  • 2 Audio and Video Recording sessions (6h) 4K
  • 2 Audio Mixing sessions (6h) 2K
  • 2 Score Editing sessions (6h) 1K
  • 3 Video Editing sessions (9h) 1.5K
  • 1 Mastering session (3h) 500
  • Final Audio and Video Master: ₪9,000

 

Mastering Package rate for up to 12 hours

  • Sound-processing (EQ, Compression, Maximizing, etc.)
  • Sequencing
  • Spacing
  • Final Audio Master: ₪2,000

 

  • Restauration Package rate for up to 12 hours
  • Final Audio Master: ₪1,000

About Us

Contact Us  +972 54-544-2800

Tonmeister and Mastering Expert Ben Bernfeld joined forces with Philipp Barsky, Audio and Video Specialist to provide musicians the best Audio and Video quality at very cost effective rates

  • Ben Tonmeister

    My father took me to his recording sessions since I was a child, maybe 4 or 5 years old.

    I have witnessed amazing sessions, like Radu Lupu’s Beethoven 5th piano concerto (Emperor), La Traviata with Virginia Zeani or Radu Aldulescu’s Haydn C major cello concerto, to name just a few.

     

    I studied music and the piano for over 10 years before leaving Romania.

    During the second half of the 70s and beginning of the 80s I assisted my father in many recordings around Europe.

    In the early 1980’s, I studied electrical engineering at the Frankfurt University of Applied Sciences, majoring in acoustics.

    In the same period, I started to record and edit classical music on my own, being probably one of the very few to learn to edit digitally before learning to splice analog tapes!

     

    My very first job was to edit 5 organ albums from different Italian cities (I remember Ferrara and Carrera, but 1981 is a long way back…) on a SONY DAE 1100 digital editor. Just for the young among you, there was no graphic monitoring at all and the cueing was in …8 bit! In short you couldn’t hear s..t! Besides, try to edit on this system (or any) an organ’s basso continuo… It was fun!

     

    My first recording was the Bären Gässlin’s Mythomania in the Blansingen church (between Freiburg and Basel), where my father and I recorded many projects due to its pleasant acoustics.

     

    Many followed since then, being with the Collegium Aureum, Trio Fontenay, Augsburger Domsingknaben as well as the Israel Philharmonic orchestra conducted by Maestro Zubin Mehta, especially the Hungarian Rhapsodies.

    More recently, I have recorded several Ami Maayani works, Phoenix Ensemble, pianist Orit Wolf, Modena Consort (in Blansingen again!), Jacob Reuven with the Barrocade Ensemble and later the Raanana Symphonette Orchestra, violinist Sivann Maayani Zelikoff, as well as the Carmel Quartet’s Ben Chaim quartets and quintets.

  • Philipp Video

Contact Us

+972 54-544-2800

 

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  • Ben Tonmeister

    My father took me to his recording sessions since I was a child, maybe 4 or 5 years old.

    I have witnessed amazing sessions, like Radu Lupu’s Beethoven 5th piano concerto (Emperor), La Traviata with Virginia Zeani or Radu Aldulescu’s Haydn C major cello concerto, to name just a few.

     

    I studied music and the piano for over 10 years before leaving Romania.

    During the second half of the 70s and beginning of the 80s I assisted my father in many recordings around Europe.

    In the early 1980’s, I studied electrical engineering at the Frankfurt University of Applied Sciences, majoring in acoustics.

    In the same period, I started to record and edit classical music on my own, being probably one of the very few to learn to edit digitally before learning to splice analog tapes!

     

    My very first job was to edit 5 organ albums from different Italian cities (I remember Ferrara and Carrera, but 1981 is a long way back…) on a SONY DAE 1100 digital editor. Just for the young among you, there was no graphic monitoring at all and the cueing was in …8 bit! In short you couldn’t hear s..t! Besides, try to edit on this system (or any) an organ’s basso continuo… It was fun!

     

    My first recording was the Bären Gässlin’s Mythomania in the Blansingen church (between Freiburg and Basel), where my father and I recorded many projects due to its pleasant acoustics.

     

    Many followed since then, being with the Collegium Aureum, Trio Fontenay, Augsburger Domsingknaben as well as the Israel Philharmonic orchestra conducted by Maestro Zubin Mehta, especially the Hungarian Rhapsodies.

    More recently, I have recorded several Ami Maayani works, Phoenix Ensemble, pianist Orit Wolf, Modena Consort (in Blansingen again!), Jacob Reuven with the Barrocade Ensemble and later the Raanana Symphonette Orchestra, violinist Sivann Maayani Zelikoff, as well as the Carmel Quartet’s Ben Chaim quartets and quintets.

  • Philipp Video